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Rembrandt: The Departure of the Shunammite Woman  wikidata:Q20011632 reasonator:Q20011632
Artist
Workshop of Rembrandt (꯱꯶꯰꯶–꯱꯶꯶꯹)  wikidata:Q5598 s:en:Portal:Rembrandt Harmenszoon van Rijn q:en:Rembrandt
 
Workshop of Rembrandt
Alternative names
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Description Dutch painter, printmaker ꯑꯃꯁꯨꯡ drawer
Date of birth/death ꯱꯵ ꯖꯨꯂꯥꯏ ꯱꯶꯰꯶ Edit this at Wikidata ꯴ ꯑꯣꯛꯇꯣꯕꯔ ꯱꯶꯶꯹ Edit this at Wikidata
Location of birth/death Leiden Edit this at Wikidata Amsterdam Edit this at Wikidata
Work period circa ꯱꯶꯲꯵ - circa ꯱꯶꯶꯹
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Leiden (1620-1624), Amsterdam (1624-1625), Leiden (1625-1633), Amsterdam (1631-1669)
Authority file
artist QS:P170,Q4233718,P1774,Q5598
image of artwork listed in title parameter on this page
Title
ꯏꯪꯂꯤꯁ:
Abraham dismissing Hagar and Ishmael Edit this at Wikidata

The Departure of the Shunammite Woman
label QS:Lnl,"Het vertrek van de Sunammitische vrouw"
label QS:Len,"The Departure of the Shunammite Woman"
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
ꯆꯩꯆꯠ ꯱꯶꯴꯰
date QS:P571,+1640-00-00T00:00:00Z/9
Medium oil on oak wood
Dimensions height: ৩৯.০ cm; width: ৫৩.২ cm
dimensions QS:P2048,39U174728
dimensions QS:P2049,53.2U174728
institution QS:P195,Q213322
Current location
Room 81
Accession number
CAI.78
Place of creation Amsterdam
Object history

꯱꯶꯴꯰: commissioned by Nicolaes van Bambeeck (1596-1661) ꯑꯃꯁꯨꯡ Agatha Bas (1611-1658), Amsterdam (?)

by ꯱꯶꯷꯱
date QS:P,+1671-00-00T00:00:00Z/7,P1326,+1671-00-00T00:00:00Z/9
: Nicolaes van Bambeeck (1639-1671), Amsterdam, as ‘een Abraham en Hagar, van een discipel van Rembrandt’ by ꯱꯷꯳꯴
date QS:P,+1734-00-00T00:00:00Z/7,P1326,+1734-00-00T00:00:00Z/9
: Adriaen Bout, The Hague, as ‘Abraham en Hagar door Rembrandt’

꯱꯵ ꯑꯦꯄꯔꯤꯜ ꯱꯷꯳꯹: anonymous sale at an unknown auction house, Amsterdam, lot no. 85, for ৪২ NLG (as ‘De uitdryving van Hagar en Iſmaël, extra konſtig, door Rembrand van Rhyn’)

by ꯱꯷꯴꯹
date QS:P,+1749-00-00T00:00:00Z/7,P1326,+1749-00-00T00:00:00Z/9
: Willem Fabricius van Almkerk (1709-1749), Haarlem

꯱꯹ ꯑꯒꯁ ꯱꯷꯴꯹: purchased by Van Dyk at the sale of the collection of Willem Fabricius, Heere van Almkerk &c., at an unknown auction house, Haarlem, lot no. 12, for ৩২০ NLG (as ‘Abraham Hagar uitgeleide doende, konſtig en kragtig, door Rembrand van Rhyn, h. 1 v. 3 d., br. 1 v. 9 en een half d.’)

꯱꯷꯵꯱: purchased by Ellys at the sale of the collection of Blackwood , lot no. 51

꯱꯷꯵꯸: purchased by Brandenburgh at the sale of the collection of Rongent

by ꯱꯷꯶꯰
date QS:P,+1760-00-00T00:00:00Z/7,P1326,+1760-00-00T00:00:00Z/9
: Bourchier Cleeve (1715-1760), Foots Cray Place, London, as ‘Abraham and Hagar’ Unknown date: inherited by Elizabeth Bourchier Clieve (....-1833) ꯑꯃꯁꯨꯡ (from ꯱꯷꯶꯵
date QS:P,+1765-00-00T00:00:00Z/7,P580,+1765-00-00T00:00:00Z/9
) Sir George Yonge, Bt. (1731-1812)

꯲꯳ ꯃꯥꯔꯆ ꯱꯸꯰꯶: purchased by John Parke at the sale of the collection of Sir George Yonge at White, London, lot no. 32, for £43.1s

꯹ ꯃꯦ ꯱꯸꯱꯲: sale of the collection of John Parke at Coxe, London, lot no. 29, for £190 (as ‘Rembrandt. Abraham putting away Hagar; from Mr. Bouchier Cleve’s Collection’)

꯱꯸꯱꯸: sale of the collection of Woodburn ,

꯱꯶ ꯖꯨꯟ ꯱꯸꯲꯱: purchased by Norton at an anonymous sale at Christie's, London (auction house), lot no. 58, for £110.5s (as ‘Rembrandt. Abraham sending away Hagar, mounted on an Ass, which is led by a Cord by Ishmael [...] formerly in the collection of Bouchier Cleave, Esq. and subsequently in the collection of Sir Geo. Younge, Bt’)

by ꯱꯸꯳꯸
date QS:P,+1838-00-00T00:00:00Z/7,P1326,+1838-00-00T00:00:00Z/9
: J. Crespigny by ꯱꯸꯶꯹
date QS:P,+1869-00-00T00:00:00Z/7,P1326,+1869-00-00T00:00:00Z/9
: P.C. Crespigny

꯲꯳ ꯑꯦꯄꯔꯤꯜ ꯱꯸꯶꯹: sale of the collection of P.C. Crespigny at Christie's, London, lot no. 31, for £31.10s

by ꯅꯣꯚꯦꯝꯕꯔ ꯱꯸꯸꯱
date QS:P,+1881-11-00T00:00:00Z/7,P1326,+1881-11-00T00:00:00Z/10
: Constantine Alexander Ionides (1833-1900), London/ꯕ꯭ꯔꯥꯢꯇꯟ, as ‘Abraham dismissing Agar and Ismail’ ꯱꯹꯰꯱: bequeathed to Victoria and Albert Museum, London, by Constantine Alexander Ionides, London/ꯕ꯭ꯔꯥꯢꯇꯟ
Exhibition history

Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, and English Masters. With which the proprietors have favoured the Institution, British Institution, London, ꯖꯨꯂꯥꯏ ꯱꯸꯳꯲, OCLC 23923139, cat. no.  28.

Exhibition of Works by the Old Masters and by Deceased Masters of the British School; including special collections of the worls of Thomas Stothard, R.A., of William Blake, and of John Pettie, R.A. Winter Exhibition, twenty-fifth year, Royal Academy of Arts, London, ꯱꯸꯹꯴, cat. no.  95, p. 23, as Rembrandt, Abraham, Hagar, and Ishmael, [lent by] Constantine Alexander Ionides, Esq., [...] Panel, 15 by 20½ in..

Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdam, ꯸ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯱꯸꯹꯸–ꯅꯣꯚꯦꯝꯕꯔ ꯱꯸꯹꯸, cat. no.  46.

Exhibition of Works by Rembrandt. Winter exhibition, thirteenth year, Royal Academy of Arts, London, ꯲ ꯖꯥꯅꯨꯋꯥꯔꯤ ꯱꯸꯹꯹–꯱꯱ ꯃꯥꯔꯆ ꯱꯸꯹꯹, cat. no.  49, p. 19, as [Rembrandt], Abraham Dismissing Hagar and Ishmael, [lent by] Constantine A. Ionides, Esq., [...] Signed and dated, “Rembrandt f. 1640.” Panel, 15 by 20½ in..

Rembrandt & Co, Dealing in Masterpieces, Dulwich Picture Gallery, London, ꯷ ꯖꯨꯟ ꯲꯰꯰꯶–꯳ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯲꯰꯰꯶, without cat. no. 

Uylenburgh & Zoon. Kunst en commercie van Rembrandt tot De Lairesse 1625-1675, Museum Het Rembrandthuis, Amsterdam, ꯱꯶ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯲꯰꯰꯶–꯱꯰ ꯗꯤꯁꯦꯝꯕꯔ ꯲꯰꯰꯶.
Inscriptions
Signature ꯑꯃꯁꯨꯡ calendar date :
Rembrandt f / 1640
References

AnonymousUnknown author, Victoria & Albert Museum, as Workshop of Rembrandt, Abraham dismissing Hagar and Ishmael, 1640.

AnonymousUnknown author, RKDimages, Art-work number 50806, as Workshop of Rembrandt, Het vertrek van de Sunammitische vrouw (2 Koningen 4:22-24), circa ꯱꯶꯴꯰
date QS:P,+1640-00-00T00:00:00Z/9,P1480,Q5727902
(1639-1641) Bruyn, J., B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering (1989) A Corpus of Rembrandt Paintings III. 1635–1642, Dordrecht, Boston, London: Martinus Nijhoff Publishers, ISBN 90-247-3781-8, cat. no.  C 85, p. 542-550, with image in black and white on p. 542, as ‘probably executed in Rembrandt's workshop [...] perhaps attributable to Ferdinand Bol, The departure of the Shunammite woman, 1640.
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