ꯐꯥꯏꯜ:Rembrandt - The Departure of the Shunammite Woman.1.jpg

ꯐꯥꯏꯜ ꯑꯁꯦꯡꯕ (৬৭১ × ৪৯৫ ꯄꯤꯛꯆꯦꯜꯁ, ꯐꯥꯏꯜ ꯆꯥꯎꯕꯒꯤ ꯆꯥꯡ: ১৩৬ KB, MIME ꯃꯈꯜ: image/jpeg)
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| Rembrandt: The Departure of the Shunammite Woman
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| Artist |
artist QS:P170,Q4233718,P1774,Q5598 |
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| Title | ||||||||||||||||||||||||||||
| Object type |
painting |
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| Genre |
religious art |
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| ꯆꯩꯆꯠ |
꯱꯶꯴꯰ date QS:P571,+1640-00-00T00:00:00Z/9 |
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| Medium | oil on oak wood | |||||||||||||||||||||||||||
| Dimensions |
height: ৩৯.০ cm; width: ৫৩.২ cm dimensions QS:P2048,39U174728 dimensions QS:P2049,53.2U174728 |
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| Collection |
institution QS:P195,Q213322 |
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| Current location |
Room 81 |
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| Accession number |
CAI.78 |
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| Place of creation | Amsterdam | |||||||||||||||||||||||||||
| Object history |
꯱꯶꯴꯰: commissioned by Nicolaes van Bambeeck (1596-1661) ꯑꯃꯁꯨꯡ Agatha Bas (1611-1658), Amsterdam (?) date QS:P,+1671-00-00T00:00:00Z/7,P1326,+1671-00-00T00:00:00Z/9 : Nicolaes van Bambeeck (1639-1671), Amsterdam, as ‘een Abraham en Hagar, van een discipel van Rembrandt’
by ꯱꯷꯳꯴date QS:P,+1734-00-00T00:00:00Z/7,P1326,+1734-00-00T00:00:00Z/9 : Adriaen Bout, The Hague, as ‘Abraham en Hagar door Rembrandt’
꯱꯵ ꯑꯦꯄꯔꯤꯜ ꯱꯷꯳꯹: anonymous sale at an unknown auction house, Amsterdam, lot no. 85, for ৪২ NLG (as ‘De uitdryving van Hagar en Iſmaël, extra konſtig, door Rembrand van Rhyn’) date QS:P,+1749-00-00T00:00:00Z/7,P1326,+1749-00-00T00:00:00Z/9 : Willem Fabricius van Almkerk (1709-1749), Haarlem
꯱꯹ ꯑꯒꯁ ꯱꯷꯴꯹: purchased by Van Dyk at the sale of the collection of Willem Fabricius, Heere van Almkerk &c., at an unknown auction house, Haarlem, lot no. 12, for ৩২০ NLG (as ‘Abraham Hagar uitgeleide doende, konſtig en kragtig, door Rembrand van Rhyn, h. 1 v. 3 d., br. 1 v. 9 en een half d.’) ꯱꯷꯵꯱: purchased by Ellys at the sale of the collection of Blackwood , lot no. 51 ꯱꯷꯵꯸: purchased by Brandenburgh at the sale of the collection of Rongent date QS:P,+1760-00-00T00:00:00Z/7,P1326,+1760-00-00T00:00:00Z/9 : Bourchier Cleeve (1715-1760), Foots Cray Place, London, as ‘Abraham and Hagar’
Unknown date: inherited by Elizabeth Bourchier Clieve (....-1833) ꯑꯃꯁꯨꯡ (from ꯱꯷꯶꯵date QS:P,+1765-00-00T00:00:00Z/7,P580,+1765-00-00T00:00:00Z/9 ) Sir George Yonge, Bt. (1731-1812)꯲꯳ ꯃꯥꯔꯆ ꯱꯸꯰꯶: purchased by John Parke at the sale of the collection of Sir George Yonge at White, London, lot no. 32, for £43.1s ꯹ ꯃꯦ ꯱꯸꯱꯲: sale of the collection of John Parke at Coxe, London, lot no. 29, for £190 (as ‘Rembrandt. Abraham putting away Hagar; from Mr. Bouchier Cleve’s Collection’) ꯱꯸꯱꯸: sale of the collection of Woodburn , ꯱꯶ ꯖꯨꯟ ꯱꯸꯲꯱: purchased by Norton at an anonymous sale at Christie's, London (auction house), lot no. 58, for £110.5s (as ‘Rembrandt. Abraham sending away Hagar, mounted on an Ass, which is led by a Cord by Ishmael [...] formerly in the collection of Bouchier Cleave, Esq. and subsequently in the collection of Sir Geo. Younge, Bt’) date QS:P,+1838-00-00T00:00:00Z/7,P1326,+1838-00-00T00:00:00Z/9 : J. Crespigny
by ꯱꯸꯶꯹date QS:P,+1869-00-00T00:00:00Z/7,P1326,+1869-00-00T00:00:00Z/9 : P.C. Crespigny
꯲꯳ ꯑꯦꯄꯔꯤꯜ ꯱꯸꯶꯹: sale of the collection of P.C. Crespigny at Christie's, London, lot no. 31, for £31.10s date QS:P,+1881-11-00T00:00:00Z/7,P1326,+1881-11-00T00:00:00Z/10 : Constantine Alexander Ionides (1833-1900), London/ꯕ꯭ꯔꯥꯢꯇꯟ, as ‘Abraham dismissing Agar and Ismail’
꯱꯹꯰꯱: bequeathed to Victoria and Albert Museum, London, by Constantine Alexander Ionides, London/ꯕ꯭ꯔꯥꯢꯇꯟ |
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| Exhibition history |
Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, and English Masters. With which the proprietors have favoured the Institution, British Institution, London, ꯖꯨꯂꯥꯏ ꯱꯸꯳꯲, OCLC 23923139, cat. no. 28. Exhibition of Works by the Old Masters and by Deceased Masters of the British School; including special collections of the worls of Thomas Stothard, R.A., of William Blake, and of John Pettie, R.A. Winter Exhibition, twenty-fifth year, Royal Academy of Arts, London, ꯱꯸꯹꯴, cat. no. 95, p. 23, as Rembrandt, Abraham, Hagar, and Ishmael, [lent by] Constantine Alexander Ionides, Esq., [...] Panel, 15 by 20½ in.. Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdam, ꯸ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯱꯸꯹꯸–ꯅꯣꯚꯦꯝꯕꯔ ꯱꯸꯹꯸, cat. no. 46. Exhibition of Works by Rembrandt. Winter exhibition, thirteenth year, Royal Academy of Arts, London, ꯲ ꯖꯥꯅꯨꯋꯥꯔꯤ ꯱꯸꯹꯹–꯱꯱ ꯃꯥꯔꯆ ꯱꯸꯹꯹, cat. no. 49, p. 19, as [Rembrandt], Abraham Dismissing Hagar and Ishmael, [lent by] Constantine A. Ionides, Esq., [...] Signed and dated, “Rembrandt f. 1640.” Panel, 15 by 20½ in.. Rembrandt & Co, Dealing in Masterpieces, Dulwich Picture Gallery, London, ꯷ ꯖꯨꯟ ꯲꯰꯰꯶–꯳ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯲꯰꯰꯶, without cat. no. |
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| Inscriptions |
Signature ꯑꯃꯁꯨꯡ calendar date :
Rembrandt f / 1640
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| References |
AnonymousUnknown author, Victoria & Albert Museum, as Workshop of Rembrandt, Abraham dismissing Hagar and Ishmael, 1640. AnonymousUnknown author, RKDimages, Art-work number 50806, as Workshop of Rembrandt, Het vertrek van de Sunammitische vrouw (2 Koningen 4:22-24), circa ꯱꯶꯴꯰date QS:P,+1640-00-00T00:00:00Z/9,P1480,Q5727902 (1639-1641)
Bruyn, J., B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering (1989) A Corpus of Rembrandt Paintings III. 1635–1642, Dordrecht, Boston, London: Martinus Nijhoff Publishers, ISBN 90-247-3781-8, cat. no. C 85, p. 542-550, with image in black and white on p. 542, as ‘probably executed in Rembrandt's workshop [...] perhaps attributable to Ferdinand Bol, The departure of the Shunammite woman, 1640. |
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| Source/Photographer | collections.vam.ac.uk : Home : Info : Pic | |||||||||||||||||||||||||||
ꯑꯌꯥꯕꯥ
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