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ꯐꯥꯏꯜ:Great Andamanese women - 1876.jpg

ꯚꯥꯔꯠꯄꯤꯗꯤꯌꯥ ꯗꯒꯤ

ꯐꯥꯏꯜ ꯑꯁꯦꯡꯕ (৬০০ × ৪৩৭ ꯄꯤꯛꯆꯦꯜꯁ, ꯐꯥꯏꯜ ꯆꯥꯎꯕꯒꯤ ꯆꯥꯡ: ৪৩ KB, MIME ꯃꯈꯜ: image/jpeg)

ꯃꯁꯤꯒꯤ ꯐꯥꯏꯜ ꯑꯁꯤ a shared repository ꯗꯒꯤꯅꯤ ꯑꯃꯁꯨꯡ ꯑꯇꯩ ꯊꯧꯔꯥꯁꯁꯤꯡꯅꯥ ꯁꯤꯖꯤꯟꯅꯩ ꯫ ꯃꯁꯤꯗ ꯁꯟꯗꯣꯛꯅꯥ ꯇꯥꯛꯄ ꯑꯁꯤ ꯐꯥꯏꯜ ꯁꯟꯗꯣꯛꯅꯥ ꯍꯥꯏꯕ ꯂꯃꯥꯏ ꯃꯈꯥꯒꯤ ꯁꯤꯗ ꯎꯨꯠꯂꯦ ꯫

ꯑꯇꯦꯟꯕꯥ ꯁꯟꯗꯣꯛꯅꯥ ꯇꯥꯛꯄꯥ

ꯁꯟꯗꯣꯛꯅꯥ ꯇꯥꯛꯄꯥGreat Andamanese women - 1876.jpg
English: An early (staged) photograph to show Great Andamanese women (and the odd male) with a wide variety of hairstyles and body painting patterns. Clearly visible are only the wide variety of hair cuts.

Notable also on the extreme left and right two women with bands for carrying infants. The people to the left of the centre pole are said to be showing body paint signifying mourning, those on the right celebratory paint. The girl, second from the right, in the middle row is said to be painted in red ochre as a sign for rejoicing.

Citation from Clothes, Clay and Beautycare (of Great Andamanese people), by George Weber
ꯆꯩꯆꯠ
ꯍꯧꯔꯛꯐꯛ Pitt Rivers Museum, Oxford
ꯄꯨꯊꯣꯛꯂꯤꯕ ꯃꯤ Maurice Vidal Portman (1861-1935)

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depicts ꯏꯪꯂꯤꯁ

inception ꯏꯪꯂꯤꯁ

1876

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44071 byte

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437 pixel

width ꯏꯪꯂꯤꯁ

600 pixel

media type ꯏꯪꯂꯤꯁ

image/jpeg

checksum ꯏꯪꯂꯤꯁ

fb0d4ee4394093b6eb99a21de20e8e000041ac91

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ꯆꯩꯆꯠ/ꯃꯇꯝꯈꯨꯠꯄꯤꯈꯨꯖꯤꯟꯄꯥꯛ ꯆꯥꯎꯕꯥꯁꯤꯖꯤꯟꯅꯔꯤꯕꯑꯄꯥꯝꯕ ꯐꯣꯡꯗꯣꯛ ꯎ
ꯍꯧꯖꯤꯛꯀꯤ꯱꯱:꯳꯱, ꯱꯵ ꯖꯨꯟ ꯲꯰꯰꯸꯱꯱:꯳꯱, ꯱꯵ ꯖꯨꯟ ꯲꯰꯰꯸ꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯅ ꯊꯝꯅꯦꯜ ꯚꯔꯖꯟ৬০০ × ৪৩৭ (৪৩ KB)smartcommons>Christophe cagé{{Information |Description={{en|1=An early (staged) photograph to show Great Andamanese women (and the odd male) with a wide variety of hairstyles and body painting patterns. Clearly visible are only the wide variety of hair cuts. Notable also on the extr

ꯃꯁꯤꯒꯤ ꯐꯥꯏꯜ ꯁꯤ ꯁꯤꯖꯤꯟꯅꯕ ꯂꯃꯥꯏꯁꯤꯡ ꯂꯩꯇꯦ ꯫