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English: Panel showing the Buddha performing a miracle before ascetics. Kushan period, 2ndC-3rdC. Schist, H. 29,5 cm. (complete, here: partial view). « On the Buddha's left, Vajrapāṇi, with long, bearded face, modelled planes of musculature, genitals, a long draped overgarment from his left shoulder passing across the legs, holds a faceted vajra with rounded ends in his left hand and raises a fly-whisk like a torch in the right. » (Museum Collection on line) : This is a detail of a frieze regarding the conversion of three brothers to Buddhism. It is cropped to focus on the Buddha flanked by a figure of his guardian, Vajrapāṇi. [1]

In this image, Vajrapani is depicted in a more classically Grecian style than the surrounding figures, indicative of his cross-cultural status. Vajrapani is usually syncretized with Hercules,[2] but is also sometimes syncretized with Zeus. [3] (This particular piece could be understood either way)

In one hand Vajrapani carries a vajra (usually syncretized with Zeus' lightening and/or Hercules' sacred club) and in the other he brandishes a chamara, which is a fly-wisk symbolic of the sovereignty of the Buddha. [4]

References

  1. "On the Buddha's left, Vajrapāṇi, with long, bearded face, modelled planes of musculature, genitals, a long draped overgarment from his left shoulder passing across the legs, holds a faceted vajra with rounded ends in his left hand and raises a fly-whisk like a torch in the right." Panel #1961,0218.1. British Museum.[1]
  2. "Heracles became Vajrapani, guardian of Sakyamuni. There is a wealth of material and studies on the subject... to explain how Heracles went from being a purely classical Greek figure to being a guardian god in the Buddhist pantheon." HSING, I-TIEN, and WILLIAM G. CROWELL. “Heracles in the East: The Diffusion and Transformation of His Image in the Arts of Central Asia, India, and Medieval China.” Asia Major, vol. 18, no. 2, 2005, pp. 103–154. JSTOR, [www.jstor.org/stable/41649907]
  3. "In the art of Gandhara Zeus became the inseparable companion of the Buddha as Vajrapani." in Freedom, Progress, and Society, by K. Satchidananda Murty p.97
  4. The Handbook of Tibetan Buddhist Symbols p.177
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Detail from a Kushan frieze showing the Buddha flanked by a Greek-inspired Vajrapani.

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