Provenance:

• Comte de Baillon, as of 1874;
• Baronne de Gartempe;
• Eugène Glaenzer, New York and Paris, as of 1904;
• Otto H. Kahn (1867-1934), New York, as of 1919;
• By whom sold to "une petite marchande qui le vendit à M. Bayer" (see R. Gimpel, 1963, cited below);
• Edwin S. Bayer (1870-1929), New York;
• with Wildenstein & Co., Paris and New York;
• Earl Stendahl, Los Angeles, as of 1937.
• Auction translate: Sotheby's, New York, ꯲꯸ ꯖꯥꯅꯨꯋꯥꯔꯤ ꯲꯰꯱꯰, Important Old Master Paintings And Sculpture, lot 327, Property To Be Sold Witihout Reserve

• Paris, Palais de la Présidence du Corps Législatif, Explication des ouvrages de peinture exposés au profit de la colonisation de l'Algérie par les Alsaciens Lorrains, April 1874, no. 362;
• Paris, Galerie Ruhlman, 1932 (according to G. Pascal, cited below);
• Paris, Gazette des Beaux-Arts, Le Siècle de Louis XV vu par les artistes, June 1934, no. 25, entitled "La Princesse de Conti";
• Los Angeles, Stendahl Art Gallery, Twenty-five Masterpieces of European Painters, 1935, no number;
• Los Angeles, Art Association, Loan Exhibition of International Art, 15 October - 15 December 1937, no. 80, reproduced p. 18.

• 
  original work by Nattier, Nationalmuseum
• 
  copy in the São Paulo Museum of Art