ꯐꯥꯏꯜ ꯑꯁꯦꯡꯕ (১,৪৬৮ × ২,৩১৩ ꯄꯤꯛꯆꯦꯜꯁ, ꯐꯥꯏꯜ ꯆꯥꯎꯕꯒꯤ ꯆꯥꯡ: ৭৭৯ KB, MIME ꯃꯈꯜ: image/jpeg)

ꯃꯁꯤꯒꯤ ꯐꯥꯏꯜ ꯑꯁꯤ a shared repository ꯗꯒꯤꯅꯤ ꯑꯃꯁꯨꯡ ꯑꯇꯩ ꯊꯧꯔꯥꯁꯁꯤꯡꯅꯥ ꯁꯤꯖꯤꯟꯅꯩ ꯫ ꯃꯁꯤꯗ ꯁꯟꯗꯣꯛꯅꯥ ꯇꯥꯛꯄ ꯑꯁꯤ ꯐꯥꯏꯜ ꯁꯟꯗꯣꯛꯅꯥ ꯍꯥꯏꯕ ꯂꯃꯥꯏ ꯃꯈꯥꯒꯤ ꯁꯤꯗ ꯎꯨꯠꯂꯦ ꯫

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Artist
Ascribed to a Master of the Second Generation after Nainsukh
ꯁꯟꯗꯣꯛꯅꯥ ꯇꯥꯛꯄꯥ
English: The Musical Mode: Ragini Todi. Ascribed to a Master of the Second Generation after Nainsukh, c. 1825-30. 25.5 (17.4) x 18.7 (10.3) cm. Inscribed on verso with a Hindi verse in devanagari characters. Government Museum and Art Gallery, Chandigarh 907
ꯆꯩꯆꯠ circa ꯱꯸꯲꯵ - circa ꯱꯸꯳꯰
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1825-00-00T00:00:00Z/9,P1326,+1830-00-00T00:00:00Z/9,P1480,Q5727902
Accession number
907
References B. N. Goswamy and Eberhard Fischer, "Pahari Masters: Court Painters of Northern India", Artibus Asiae. Supplementum, 1992, pp. 360-361
Source/Photographer https://www.jstor.org/stable/1522698

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The Musical Mode: ''Ragini Todi''. Ascribed to a Master of the Second Generation after Nainsukh, c. 1825-30. Government Museum and Art Gallery, Chandigarh 907

Items portrayed in this file

depicts ꯏꯪꯂꯤꯁ

Ragamala painting ꯏꯪꯂꯤꯁ

media type ꯏꯪꯂꯤꯁ

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ꯐꯥꯏꯜꯒꯤ ꯄꯨꯋꯥꯔꯤ

ꯆꯩꯆꯠ/ꯃꯇꯝꯗ ꯅꯝꯃꯨ ꯃꯇꯝ ꯑꯗꯨꯗ ꯐꯥꯏꯜ ꯑꯗꯨ ꯎꯅꯕ

ꯆꯩꯆꯠ/ꯃꯇꯝꯈꯨꯠꯄꯤꯈꯨꯖꯤꯟꯄꯥꯛ ꯆꯥꯎꯕꯥꯁꯤꯖꯤꯟꯅꯔꯤꯕꯑꯄꯥꯝꯕ ꯐꯣꯡꯗꯣꯛ ꯎ
ꯍꯧꯖꯤꯛꯀꯤ꯲꯰:꯱꯹, ꯲꯷ ꯑꯣꯛꯇꯣꯕꯔ ꯲꯰꯲꯲꯲꯰:꯱꯹, ꯲꯷ ꯑꯣꯛꯇꯣꯕꯔ ꯲꯰꯲꯲ꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯅ ꯊꯝꯅꯦꯜ ꯚꯔꯖꯟ১,৪৬৮ × ২,৩১৩ (৭৭৯ KB)smartcommons>NousUploaded a work by Ascribed to a Master of the Second Generation after Nainsukh from https://www.jstor.org/stable/1522698 with UploadWizard

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